My dad: “So if your pronouns are they and them, how should I refer to you when I brag about you? My daughter? My son?”
Me: “Mom’s just been calling me her kid or her child.”
My dad: “I shall call you…my Eldest Spawn.”
I feel like it’s worth noting that he was wearing a Cthulu t-shirt when this happened.
My Latin teacher always used the term “parental unit(s)” to refer to parents/guardians regardless of actual role on paper and/or gender, and I would like to also add “spawn” to that vocabulary now.
I just realized that Clark Kent probably works at the Daily Planet because it means he and his super-senses are planted right in the middle of a bunch of investigative journalists all day long. He probably knows more about Metropolis’ corruption and abuses of power than anyone else in the world, just by virtue of existing in the Daily Planet’s vicinity.
I imagine also that he works there for the reverse reason. Think about all the things he knows about the people in positions of power in the city that Really Should be made known to the public, but he can’t figure out a way to legitimately excuse having that knowledge? Well, all he has to do is drop a hint of a thread in the lap of someone like Lois Lane and his coworkers and friends will be on it like bloodhounds, with a firm air of legitimacy that he himself would never, ever have. Because honestly? Clark Kent probably knows that “I heard about it with my magic alien hearing” isn’t and SHOULDN’T be admissible in a court of law or public opinion. But aiming some good old fashioned investigative journalists in the most competitive news organisation in the city at it? Perfectly legitimate.
Villain: “Hah! What are you going to do, punch me for tax evasion? Lock me up for conspiracy? With what court-admissible evidence? Admit it Superman, there’s nothing you can do here.”
Superman: “Guess not.”
Later, Clark Kent at the Daily Planet watching his colleagues work: “My god, they’re like bureaucratic piranhas. They went through his entire IRS filings for the last eight quarters in thirty minutes flat.”
i mean, canonically it’s so he’ll have a reason to be on the scene whenever something is happening, and if it requires super-help he can duck around the corner and do a quick change. but in the era of internet and smart phones, he could just set up a bunch of google alerts or whatever. so the secondary purpose of being in the middle of all the information is more primary now.
it’s because reality is terrifying and our world’s dying, and our developmental years were spent in a constant state of using increasingly nonsensical humor to cope
It’s called the rise of neo-dadaism and the same thing happened during WWII
well that’s not concerning At All
time out hold up sweetheart let’s get it together before you wanna spread art historical misinformation
@biggest-gaudiest-patronuses has a spot on summary of the dada ideology; these artists reacted to the horrors and atrocities of WWI by embracing nonsense in a world that no longer seemed to make sense
but the period we’re in right now is decidedly not neo-dada! you know why? because neo-dada already happened, and not during WWII but during the 60s and 70s, through artists like robert rauschenberg, yves klein, yoko ono, and nam june paik.
what was going on in the 60s and 70s that might involve “terrifying” reality and “increasingly nonsensical” coping methods? the cold war! now the cold war is in much more recent memory,
but if you wanna talk about nonsensical coping methods among millennials? i would say “lol xD so random” culture is probably the best starting point, which is definitely post-cold war (knowyourmeme is giving me 2004 as a good benchmark date).
2004 is only three years after 2001 so this resurgence of dada thinking could easily be seen as initially a reaction to 9/11, and we can then trace the antics of the bush administration, the shift of the overton window, the rise of internet culture, the 2016 election, and the current political moment as developmental factors behind this current dada moment.
so since neo-dada already happened and this is definitely its own thing with its own factors, and since a big part of our dada is the influence of the internet on modernity, i posit that we start calling this e-dada or #dada
tl;dr: neo-dada is already taken, it happened in the 60s/70s, we’re doing our own kind of dada now
DarkestElemental616 