red–thedragon:

12drakon:

underworldfire:

rock10zxa:

crrocs:

What if everyone’s parents start getting tumblr like they did with Facebook

image

I will reblog anytime I see this

My offspring, yesterday: “Sometimes I see your post in the middle of a reblog chain. It’s weird.”

(The offspring is a grown-up.)

askdfkjfjk meanwhile my mother asked if i was on “that tumbling app” today and i think if she ever followed me i might actually die

kaylapocalypse:

bargains-by-duckface:

kaylapocalypse:

 ok 

so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice.

The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific. 

I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture.

This scene in particular illustrates it especially well; particularly for being only like 1 minute long.

Highlights/Breakdown

  • The timing in the way Robin says savior and the way he says beast
  • the character solidifying disregard and disrespect of “Please! Monster!”
  • Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat
  • Just the entire french accent that isn’t even a good french accent at all.
  • The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background 
  • Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss”
  • shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit. 
  • what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures. 
  • When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke
  • Fiona interrupting robin with a kick.
  • the fuckin sound his head makes when it hits the rock. 

The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef*

I watched Shrek when it came out and it didn’t really make much of an impression (I Am Old), but it has grown on me so much since. Also of note:

  • By his unconvincing French accent and the mu-mu-mu sounds he makes on Fiona’s arm, Robin seems like he watched Pepe Le Pew and decided the repellent aggressor was the hero. That adds some extra texture when he calls Shrek “monster”, since the specific monster type he has in mind is the kind that accosts young women and consumes them, which, y’know.
  • This Robin’s minstrel band is much more loyal than that other Robin’s.
  • You can easily forget mid-scene that the accordion on screen is providing the soundtrack until it gets broken.

The accordion thing was such an incredible bit. 

The bard had one job and by God he was going to do it.

neminine:

iwishicouldtalkgood:

dangerously-human:

identityconstellations:

identityconstellations:

“And remember: the sky is the limit! You can be anything you want to be!”

“Thank you. I want to be a secretary.”

That stopped them short. “What?”

“A secretary,” she repeated.

“But…” they trailed off, dumbfounded. “Why? You could be a CEO, a scientist, a law–”

“I don’t want to be a CEO,” she said. “I want to be a secretary.”

They scoffed. “You want to answer phones all day?”

She smiled. “Yes.”

“Schedule appointments?”

“I like organizing.”

“Be a second banana?”

An affirmative nod. “I’m skilled at helping.”

“I just don’t understand,” they said. “HOW could you be okay with all of this?!”

“I enjoy the work.”

“BUT YOU CAN BE WHATEVER YOU WANT TO BE!”

“I know.”

“Then WHY?!”

She shrugged.

“Because I want to be a secretary.”

Honestly though, this is very similar to my mom’s experience. She’s always been super bright, but has realized as she’s gotten older that intellectual pursuits just aren’t her jam. She dropped out of her PhD program to have kids, and although she has her master’s and was a pretty good school psychologist, she hated having to make huge decisions. She’s a church secretary now and loves it, and she’s GOOD at it; she’s letting her school psych certification permanently expire this year with zero regrets. If you can be anything you want, that includes the things we don’t tend to value as highly as a society. Not everybody is built for or wants the “respectable” careers.

My grandma did this to me, saying that i didn’t want to get stuck on the outside, making coffee and filing papers. The thing is, that’s exactly what I’ve always enjoyed the most, making and organizing things. That would be enough for me.

Nobody seems to realize that if you tell people they can be anything they want to be they will. And not everyone WANTS to be doctors or lawyers or CEOs or scientists. Sometimes, they just want to be a secretary.


http://darkestelemental616.tumblr.com/post/178194552072/audio_player_iframe/darkestelemental616/tumblr_o91xiusutN1uttbnc?audio_file=https%3A%2F%2Fa.tumblr.com%2Ftumblr_o91xiusutN1uttbnco1.mp3

robotsandfrippary:

bachtothefugue:

It’s a little out of season but here’s a short version of Spooky, Scary Skeletons for 2 oboes, string quintet, and harpsichord.

omg this is my jam.

doctordragonisback:

the-anchorless-moon:

Why did nobody in Fullmetal Alchemist carry around some fucking backup transmutation circles. Like Riza is there with a box full of fresh gloves for Roy when he gets soaked but you’d think after the first time he got rendered useless in a fight by some dude with a water bottle he’d start carrying around a spare set in a waxed bag or something but NOOOOO. And Ed’s even fucking worse like his arm gets destroyed how many times???? AND HE ACTS SURPRISED EVERY TIME. OH NO MY ARM. NOW I CAN’T ALCHEMY. Shit, boy, draw some transmutation circles ahead of time and keep em in your coat, this isn’t hard. “Oh no, you’ve destroyed my arm again, whatever shall I SIKE” Ed says, before throwing a rock with ‘explode’ written on it at his attacker and making good his escape. Everyone’s always carving shit into their skin or drawing it in their own blood, HOW BOUT INSTEAD YOU CARRY A PIECE OF FUCKING CHALK. Alchemists are useless

Alphonse wrote this post